TRUE COPY – 2018
'The only one who never gets any recognition is the forger. Unless he is unmasked.' Geert Jan Jansen in Perhaps All The Dragons
On May 6 1994 the gendarmes break into Geert Jan Jansen’s French country estate, where they find more than 1600 works by the likes of Picasso, Dali, Appel, Matisse and Hockney. Striking detail: most of them have actually been painted by the Dutchman. For more than twenty years, Geert has managed to fool the art world, so convincingly so that Picasso and Appel themselves unwittingly provided certificates of authenticity for his creations.
To this day, museums worldwide have been exhibiting four works by Geert Jan which nobody would single out as forgeries. A spelling mistake eventually lays bare Geert Jan’s illicit activity, and a German superintendent catches him. He becomes an overnight sensation and one of the most famous art world swindlers.
After BERLIN’s Perhaps All The Dragons (in which Geert Jan makes his first appearance as one of the thirty story tellers) True Copy puts him centre stage. Over the years, and in the shadow of the masters, he has been perfecting his skill. Geert Jan’s work and life is a constant balancing act on the tightrope between fiction and reality, in the permanent hope of not tumbling down. He is a perfect protagonist, whose story far exceeds the realm of the personal.
In this new component of the Horror Vacui series, BERLIN puts Geert Jan himself on stage. The internal cogwheels that keep this complex man ticking act as a manual for laying bare – amongst other things – the hypocrisy inside the art world. What does truthfulness really mean? And isn’t it much more refreshing to go along with a beautifully packaged lie?
In this new production, BERLIN use their idiosyncratic style to merge two different worlds and realities on stage. Together with the protagonist, they put the finger on a festering open sore in the art world. By the same token they also tell the universal story of one man who tries to hold his own inside a web of lies – or variations on the truth.
★★★★★ 'In ‘True Copy’, BERLIN makes magnificent use of the reality of Dutch art forger Geert Jan Jansen.' – NRC
★★★★ 'As Jansen said, ‘Sometimes it’s just delightful to be deceived.'' – De Standaard
TRUE COPY – 2018
|Concept & direction||BERLIN [Bart Baele & Yves Degryse]||With||Geert Jan Jansen|
|Assistant Geert Jan Jansen||Luk Sponselee||Video||BERLIN,
Geert De Vleesschauwer,
Jessica Ridderhof & Dirk Bosmans
Geert De Vleesschauwer & Fien Leysen
|Musical composition & mixing||Peter Van Laerhoven|
|Piano||Govaart Haché||Cello||Katelijn Van Kerckhoven|
|Sound recordings||Bas De Caluwé & Maarten Moesen||Set design||Manu Siebens,
Ina Peeters & BERLIN
|Light design||Barbara De Wit||Technical coordination||Manu Siebens & Geert De Vleesschauwer|
|Technical assistance||Rex Tee||Trailer & teasers||Fien Leysen & BERLIN|
|Production management||Celeste Driesen & Jessica Ridderhof||Production||BERLIN|
|Business management||Kurt Lannoye||Administration||Jane Seynaeve|
|Distribution||Eveline Martens||Communication||Sam Loncke|
|Thanks to||Saskia Verreycken,
Geert Jan Jansen for his help in preparations,
rehearsals and performances
deSingel [Antwerp, BE], le CENTQUATRE [Paris, FR], Het Zuidelijk Toneel [Tilburg, NL], Brighton Festival [UK], C-TAKT [Limburg, BE], Theaterfestival Boulevard [Den Bosch, NL], PACT Zollverein [Essen, DE] - Realised with support of the Belgian Tax shelter - With support of the Flemish Community, Tax Shelter of the Belgian federal government, Podiumfonds - BERLIN is 'creative associate' in deSingel [Antwerp, BE] and 'artiste associé' at le CENTQUATRE [Paris, FR]
- / NL / De Standaard, Filip Tielens, 08.09.2018 [voorbeschouwing] (23.56 KB)
- / NL / Gazet van Antwerpen, Ilse Dewever, 10.11.2018 [voorbeschouwing] (622.05 KB)
- / NL / De Morgen, Evelyne Coussens, 12.11.2018 [voorbeschouwing] (2.81 MB)
- / NL / De Standaard, Filip Tielens, 19.11.2018 **** [recensie] (2.77 MB)
- / NL / NRC, Joyce Roodnat, 28.11.2018 ***** [recensie] (2.28 MB)
- / EN / NRC, Joyce Roodnat, 21.11.2018 [article] (198.15 KB)