TRUE COPY – 2018

'The only one who never gets any recognition is the forger. Unless he is unmasked.' Geert Jan Jansen in Perhaps All The Dragons

On May 6 1994 the gendarmes break into Geert Jan Jansen’s French country estate, where they find more than 1600 works by the likes of Picasso, Dali, Appel, Matisse and Hockney. Striking detail: most of them have actually been painted by the Dutchman. For more than twenty years, Jansen has managed to fool the art world, so convincingly so that Picasso and Appel themselves unwittingly provided certificates of authenticity for his creations.

To this day, museums worldwide have been exhibiting four works by Geert Jan which nobody would single out as forgeries. A spelling mistake eventually lays bare Geert Jan’s illicit activity, and a German superintendent catches him. He becomes an overnight sensation and one of the most famous art world swindlers.

After BERLIN’s Perhaps All The Dragons (in which Geert Jan makes his first appearance as one of the thirty story tellers) True Copy puts him centre stage. Over the years, and in the shadow of the masters, he has been perfecting his skill. Geert Jan’s work and life is a constant balancing act on the tightrope between fiction and reality, in the permanent hope of not tumbling down. He is a perfect protagonist, whose story far exceeds the realm of the personal.

In this new component of the Horror Vacui series, BERLIN puts Geert Jan himself on stage. The internal cogwheels that keep this complex man ticking act as a manual for laying bare – amongst other things – the hypocrisy inside the art world. What does truthfulness really mean? And isn’t it much more refreshing to go along with a beautifully packaged lie?

In this new production, BERLIN use their idiosyncratic style to merge two different worlds and realities on stage. Together with the protagonist, they put the finger on a festering open sore in the art world. By the same token they also tell the universal story of one man who tries to hold his own inside a web of lies – or variations on the truth.

★★★★★ 'In ‘True Copy’, BERLIN makes magnificent use of the reality of Dutch art forger Geert Jan Jansen.' – NRC

★★★★ 'As Jansen said, ‘Sometimes it’s just delightful to be deceived.'' – De Standaard


Video and audio


Concept and direction BERLIN [Bart Baele and Yves Degryse] With Geert Jan Jansen
Assistant Geert Jan Jansen Luk Sponselee Video BERLIN,
Geert De Vleesschauwer,
Jessica Ridderhof and Dirk Bosmans
Video editing BERLIN,
Geert De Vleesschauwer and Fien Leysen
Musical composition and mixing Peter Van Laerhoven
Live mixing Arnold Bastiaanse or Hans De Prins Piano Govaart Haché
Cello Katelijn Van Kerckhoven Sound recordings Bas De Caluwé and Maarten Moesen
Set design Manu Siebens,
Ina Peeters and BERLIN
Light design Barbara De Wit
Technical coordination Manu Siebens and Geert De Vleesschauwer Technical assistance Rex Tee
Trailer and teasers Fien Leysen and BERLIN Production management Celeste Driesen and Jessica Ridderhof
Production BERLIN Business management Kurt Lannoye
Administration Jane Seynaeve Distribution Eveline Martens
Communications Sam Loncke Thanks to Saskia Verreycken,
Diana Boro,
Geert Jan Jansen for his help in preparations,
rehearsals and performances
deSingel international arts campus [Antwerp, BE], le CENTQUATRE-PARIS [FR], Het Zuidelijk Toneel [Tilburg, NL], Brighton Festival [UK], C-TAKT [Limburg, BE], Theaterfestival Boulevard [Den Bosch, NL], PACT Zollverein [Essen, DE] With the support of the Flemish Government, Tax Shelter of the Belgian federal government (Podiumfonds) - BERLIN is creative associate at deSingel international arts campus [Antwerp, BE] and artiste associé at le CENTQUATRE-PARIS [FR]